Gerard Manley Hopkins (1844â€89). Poems 1918, Spring and Fall: To a young child :: essays research papers fc

Gerard Manley Hopkins (184489). Poems 1918, Spring and Fall To a young childMRGART, re you greving Over Goldengrove unleaving? Leves, lke the things of man, you With your fresh thoughts care for, coffin nail you? h s the heart grows older 5 It will arise to such sights colder By and by, nor spare a sigh Though worlds of wanwood leafmeal prevarication And yet you wll weep and know why. Now no matter, child, the relate 10 Srrows sprngs re the same.Nor mouth had, no nor mind, evince What heart heard of, ghost guessed It s the blight man was natural(p) for, It is Margaret you mourn for.Gerard Manley Hopkins was an innovator whose poetry was not published until decades after his death. Hopkins was born in Stratford, Essex, which is near London. He attended Balliol College, University of Oxford. While attending the university, Hopkins was periodically occupied with verse writing. His passion for religion becomes clearly evident during this while through his poems. His poems reveale d a very Catholic character, most of them being abortive, the beginnings of things, ruins and wrecks, as he called them. (Gardner 6) In 1866, he converted to Roman Catholicism, during the Oxford movement. John henry Newman received him into the Roman Catholic Church. He left Oxford to become a priest, and entered the Jesuit Order in 1868. This is the time when Gerard Manley Hopkins presented a conflict of a man torn between two vocations, religion and the aesthetic world. He also presented a heroic struggle of a man who was so dedicated to one vocation that he deliberately sacrificed another profession based on the belief that God willed it to be so. Hopkins is well cognize for his creation of the term inscape. Inscape can be considered as an individual typical beauty. The sensation of inscape, any vivid mental image, is known as instress. (Gardner 11) For Hopkins, inscape was more than than sensory impression. It was an insight by Divine grace into an ultimate honesty by seei ng the pattern, air, and melody as it were Gods side. (Gardner 27) In "Spring and Fall", Hopkins demonstrates a separation between humanity and temper and a separation between humanity and God. His use of imagery and his clement tone allows the readers to make both distinctions and similarities between adult and child, nature and man, and conscious(p) and intuitive knowledge. The poem is addressed to a child.